Description

The Schoeps SuperCMIT Digital Shotgun Microphone incorporates a unique design and approach to minimizing extraneous noise, increasing range and retaining the transparency and integrity of the source audio. The SuperCMIT features a dual output signal, coupled with digital signal processing for excellent noise diffusion and pristine transparency.

In addition the microphone features a low-frequency roll-off switch, high frequency gain switch and increased directivity switch for maximizing range. The Schoeps SuperCMIT is at home on a boompole or pistol grip mount, and is very well suited for ENG / EFP, broadcast applications, audio for video and motion picture, sound design applications and more.

• New type of digital shotgun microphone with increased directivity, based on Shoeps' extremely successful analog model CMIT 5
• Diffuse sound is suppressed to an extraordinary degree
• Completely new operating principle with two transducers
• Uses digital signal processing (DSP) algorithms from Illusonic
• Two-channel output, with SuperCMIT signal in channel 1 and (direct, single-transducer) CMIT signal in channel 2
• Schoeps sound quality: transparent sound

Practice

Especially where diffuse noise like street noise, wind noise, audience noise or room noise interfere with the recording, the SuperCMIT is a problem solver. While the direct sound is recorded without colorations, the noise is eliminated, that is, its level is significantly reduced - down to the lowest frequencies! This cannot be achieved even by a long shotgun microphone. Therefore, the SuperCMIT is ideally suited e.g. for difficult film sound recordings or for sports applications. The SuperCMIT also increases the range of shooting in indoor areas.

Technical Specifications

Equivalent noise level (A-weighted)

14 dB (channel 1)

16 dB (channel 2)

Equivalent noise level (CCIR)

27 dB (channel 1)

28 dB (channel 2)

Signal-to-noise ratio (A-weighted)

80 dB (channel 1)

78 dB (channel 2)

Latency period

channel 1: 1.6-6.25 ms (frequency-dependent)

channel 2: 1.6 ms

Output

XLR-3M, digital: AES42 Mode 1, 48 kHz

Channel 1: SuperCMIT

Channel 2: Unprocessed shotgun